He doesn't quite seem all there. On occasion, he pauses by a window, looks at it, traces a doodle with his fingers on the glass, then sighs.
He is a man without a reason to live.
- Location:various
- Mood:
apathetic - Music:Limp Bizkit - Down Another Day | Powered by Last.fm
Nonetheless, he's again in the library, trying to force a sort of interest in those Dutch Merchants he used to love so well.
It's not working as well as it should.
Mostly hoping to see Sam Spade, but open post is open.
- Location:library
- Mood:
depressed - Music:Edenbridge - Wild Chase | Powered by Last.fm
It's no accident if he is in the library at sunset. He was told that this is where Helen (or someone with a disturbingly accurate description of her) was last spotted. He also figures that if the Rossi scenario is being repeated, then playing along with some academic work might buy him some time until he turns around.
This is a man who is grieving - he doesn't expect to ever see Helen as she knew her again, if she received the last bite. He has his suitcase with him, and the kit Turgut gave him in Istanbul is at hand. He also understands that he has no control over his return home, and is thus also grieving for his own life and the fact that he never said good-bye to his family at home.
Perhaps the look of mourning is still etched on his face - he is a transparent fellow. Perhaps, however, he is only being disturbed by his reading. As ever, he is the living picture of the graduate student - serious, studious, a tad lost in his books (even if it is only for form), vaguely frowning, just the slightest bit disheveled.
Open post. Warning for excess emo and paranoia.
- Location:library
- Mood:
depressed
He must have fallen asleep, somewhere along the travel back to Istanbul. His hand was wrapped around his fiancée's, hidden under his jacket. It wasn't much, but it was enough, and he was hoping soon, soon they would be able to go home, to Boston. Before that, they would see Turgut again, and that would be the end of their sinister adventures. He prayed, in his heart of hearts, that it was over.
His dream was heavy. Dank. There was the smells of death, books and broken stones, and there was, time and time again, the feeling of utter helplessness. He couldn't describe that scene to himself. He never could. The only consolation he had was the strong, fine hand with the short, square fingernails he was holding, and the knowledge that he would open his eyes to a willful face with eyes surprisingly tender.
It would not be so.
It's with a start that Paul wakes, and he scrambles to find a hand which is no longer there. He sits up jerkily in his airplane seat? Chair? It's a faux-leather armchair that is much more comfortable than any coach seat he has ever sat on.
"Helen?"
Another moment, and he registers that this is night, and he is in a house he has never seen before. His hands fish in his pockets for garlic cloves and a crucifix. Immediately afterwards, he reaches for his suitcase, and clings to it almost maniacally.
Alarm... doesn't quite cut it.
>.< Paul, er, Smith (or something, since his last name isn't given in canon), a twenty-seven year old graduate student in history, from Elizabeth Kostova's wonderful Historian. He's taken immediately after he and Helen have been expulsed from Bulgaria. He's -- very jumpy, so we apologize for this in advance.
