Home

Advertisement

For Mercy

  • Oct. 18th, 2009 at 1:17 AM
48 hours without sleep...
Paul is barely aware of how complete the disaster is - and he's been walking in the Mansion, back and forth between his room and the library, zoned out and lost.

He doesn't quite seem all there.  On occasion, he pauses by a window, looks at it, traces a doodle with his fingers on the glass, then sighs.

He is a man without a reason to live.

The Wait is Getting Long Enough.

  • Aug. 29th, 2009 at 2:24 PM
Fumbling but polite
Paul has been restless. Between the ensuing fire, which he only realized happened much after the fact, his lost fiancee and the over all feeling of being observed, he's been finding more and more difficult to keep a studious facade.

Nonetheless, he's again in the library, trying to force a sort of interest in those Dutch Merchants he used to love so well.

It's not working as well as it should.

Mostly hoping to see Sam Spade, but open post is open.

The world will never be the same

  • Jul. 8th, 2009 at 1:26 PM
Obsessed with the dragon book
Paul has not had the best arrival ever. In fact, he's had the Most Traumatic Arrival Ever. Having been released from his captor (he's not even sure if he really is released - he feels that perhaps this is a trick of sorts). He hesitated with doing anything at night, and is fairly certain that Vlad Ţepeş is somewhere, lurking, observing, hoping to convince him to join him.  However, things must be done - the things we do for love, someone else would say. 

It's no accident if he is in the library at sunset.  He was told that this is where Helen (or someone with a disturbingly accurate description of her) was last spotted.  He also figures that if the Rossi scenario is being repeated, then playing along with some academic work might buy him some time until he turns around.

This is a man who is grieving - he doesn't expect to ever see Helen as she knew her again, if she received the last bite.  He has his suitcase with him, and the kit Turgut gave him in Istanbul is at hand.  He also understands that he has no control over his return home, and is thus also grieving for his own life and the fact that he never said good-bye to his family at home.

Perhaps the look of mourning is still etched on his face - he is a transparent fellow. Perhaps, however, he is only being disturbed by his reading.  As ever, he is the living picture of the graduate student - serious, studious, a tad lost in his books (even if it is only for form), vaguely frowning, just the slightest bit disheveled.

Open post. Warning for excess emo and paranoia.

A long time coming... (Intro)

  • Jun. 19th, 2009 at 9:53 AM
Blue Hungarian skies

He must have fallen asleep, somewhere along the travel back to Istanbul.  His hand was wrapped around his fiancée's, hidden under his jacket.  It wasn't much, but it was enough, and he was hoping soon, soon they would be able to go home, to Boston. Before that, they would see Turgut again, and that would be the end of their sinister adventures.  He prayed, in his heart of hearts, that it was over.

His dream was heavy. Dank. There was the smells of death, books and broken stones, and there was, time and time again, the feeling of utter helplessness.  He couldn't describe that scene to himself. He never could.  The only consolation he had was the strong, fine hand with the short, square fingernails he was holding, and the knowledge that he would open his eyes to a willful face with eyes surprisingly tender.

It would not be so.

It's with a start that Paul wakes, and he scrambles to find a hand which is no longer there.  He sits up jerkily in his airplane seat? Chair? It's a faux-leather armchair that is much more comfortable than any coach seat he has ever sat on.

"Helen?"

Another moment, and he registers that this is night, and he is in a house he has never seen before.  His hands fish in his pockets for garlic cloves and a crucifix.  Immediately afterwards, he reaches for his suitcase, and clings to it almost maniacally.

Alarm... doesn't quite cut it.

>.< Paul, er, Smith (or something, since his last name isn't given in canon), a twenty-seven year old graduate student in history, from Elizabeth Kostova's wonderful Historian.  He's taken immediately after he and Helen have been expulsed from Bulgaria.  He's -- very jumpy, so we apologize for this in advance.